Results for [juno stage] :

  • Matrixsynth on 2/5/11

    YouTube via boobtube356 | February 04, 2011 | "Quick demo using the 223e arpeggiator to drive the 250e (strobe mode). I have sixteen keys assigned in the arpeggiator. One per stage in the 250e. I am turning on and off the first two stages using the first two keys. The 223e is running in falling mode. It can also run in rising mode, triangle (pendulum), random, or "spiral." The 250e is not Relative News

  • Matrixsynth on 2/4/11

    via this auction"You Belong to the City - You Belong to the Night!Spray your hair, put on that big blazer with the shoulderpads and PLAY your SIEL DK-70 synth as it is meant to be played!This is for the SIEL SR-C-70 STAGE SET ONLY. The synth in the one pic is ONLY to give a reference as to the synth it is to be used with." Relative News

  • Synthopia on 1/31/11

    2011 NAMM Show: Studiologic announced that the Numa Piano is shipping and widely available. An integrated stage piano and master keyboard controller, the Numa Piano features the Fatar TP/100 Premium Weighted Hammer Action. The Numa Piano offers Grand Piano, Electric Piano, Clavinet, Pad, Organ, and Upright Bass sounds. Above, Joey DeFrancesco and Alberto Marsico jam [...] Relative News

  • Matrixsynth on 2/16/11

    Buchla speaks from Giorgio Sancristoforo on Vimeo."A boring (short), but educative video about formant filtering with the 291e Buchla Triple Morphing Filter.Thanks to the internal stage sequencer it is possible to program the 3 bandpass filter for simple vocal formants sequences.oversimple work, just tweaked the freqs... I could do better with bandwidth and amplitude tweaks... but whatever... it Relative News

  • Create Digital Music on 2/13/11

    One top prize-winner: Stringer, which applied Kinect camera magic to simulated strings. More on how it was made below. Photo (CC-BY) Thomas Bonte. With Web data providers offering generous cash prizes and a strong emphasis on harnessing data to transform listening, music consumption took center stage at Music Hack Day’s debut in New York. But … Continue → Relative News

  • Matrixsynth on 2/15/11

    YouTube via KeithMcMillen | February 07, 2011 |"What can the Keith McMillen Instruments SoftStep do with Ableton Live?Performance, production, stage, studio, SoftStep from Keith McMillen Instruments does it all. This video showcases some of what SoftStep can do when controlling music software such as Ableton Live. Featured are various control setups for performance and studio situations. SoftStep Relative News

  • Matrixsynth on 12/8/10

    YouTube via iconnectivity | December 06, 2010 | 1 likes, 0 dislikes"iConnectDMX accessory turns your iConnectMIDI box into a DMX (stage lighting, motions lights, effects, etc) controller. Extremely low latency, MIDI translation - use a MIDI controller or even iOS MIDI applications.Accessory scheduled to be available from iConnectivity in Q2, 2011. See it in action at CES and NAMM, 2011." Relative News

  • Matrixsynth on 1/16/11

    YouTube via synthypnosis | January 16, 2011 | "VELVET VOYAGE - "ARP Odyssey & MacBeth M5N - Dream Machine" - Performed live by Bruno Ender Lee, 16. Jan. 2011 (re-constructed sequence of the title-track from the CD "Traummaschine" 2005);Doepfer MAQ-Sequencer - 1. row: bass-line MacBeth M5N / 2. row: melody-line ARP Odyssey. Additional Synthesizer-FX: Moog Little Phatty Stage II, Analogue Solutions Relative News

  • Matrixsynth on 1/13/11

    "SPACE IS THE FINAL FRONTIER!Eventide take the wraps off their little black box – genuine Eventide Reverb in a compact and rugged case for Guitar, Stage and Studio. And since it’s Eventide, that means gorgeous sounding Room reverb is only the beginning…Space features 12 of Eventide’s signature reverb combination effects taken from the H8000FW and Eclipse V4 along with some startling new magic. Relative News

  • Matrixsynth on 1/14/11

    "The RECEPTOR 2+ was designed to do just one thing: make music. Its purpose-built, mission critical custom system software and audio hardware is housed in a beer-bottle proof metal case. It’s the best possible solution for taking your virtual instruments and effects out of the studio and onto the stage. The RECEPTOR’s highly optimized, super-efficient and super-stable MuseMachine OS runs on Relative News

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