Results for [1SKB19-RSF4U Studio Flyer case] :
-
FutureMusic on 9/3/10
It's this simple. Subscribe to Future Music, get every issue delivered through your door the day it hits the shops, pay 25% less than you would have for dragging yourself to your newsagents once a month AND get a Roland Boss DS-1 mouse too!You think P.Diddy crawls around in Borders? And then QUEUES UP!? Exactly.Simply click the link below to see the latest offer and secure your limited edition, unavailable elsewhere Roland Boss DS-1 mouse. UK, US or Rest of the World: We've got amazing offers for everyone!Look, we could tell you the story about the guy who once missed an issue of Future Music, didn't get the latest studio tips, didn't get the latest samples and didn't discover the latest gear and who, as a result, died cold, alone and penniless. But that'd be going a bit too far.Instead we'll simply suggest (in the strongest possible terms) that you click here to reveal our amazing new subscriptions page. You know it makes sense. Relative News
-
AudioTutsPlus on 1/13/11
// Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008. Following my tutorial on creating a house drum track we received requests for information on creating bass lines, lead sounds, FX and arrangements. So, over the coming weeks I will be supplying step-by-step tutorials, demonstrating possible techniques for completing an electronic house track. I will build on the track in each tutorial so you can see things develop and make the Logic project available at each stage. Even though these tutorials are completed in Logic Pro 8 and in a one particular style of house, the techniques are very much generic and can be applied to any software and genre of dance music. Note: this tutorial contains embedded audio that will not display in a feed reader. Click back to the site to read the tutorial with audio or download the Play Pack at the end of the tut. 1. Choose your weapon Once... Relative News
-
FutureMusic on 1/11/11
New FM in shops today. Go buy! Or buy online here. Or subscribe using our fabulous 'up to 35% off' offer here and have FM posted to your door for free on launch day!This is getting to be a habit. After breaking the mold last year we decided it was time to bite the bullet and pull together our trickiest, most expansive feature of the year. Future Music issue 235 is a product of months of planning, hours of arm twisting and entire days of thanking people. This is The Producer Special 2011 and we reckon that 2011's effort is our best one yet. For a start there's that amazing double cover and star-laden photoshoot. Check out the full folded out version above.Then there's our biggest feature ever inside the mag. Starting on page 50 you'll find 50 brilliant tips from 50 of the most brilliant minds in music-making. The reviews zone this month is no slouch either. We've the world's first review of Moog's Slim Phatty, AKA the most inexpensive way to get a full-featured Moog... Relative News
-
AudioTutsPlus on 1/20/11
In the first example, we’ll use volume automation to make a flexible sidechain effect, and in the second example, I’ll show you how to use creative volume automation to give a track room to breathe. I’m using FL Studio, and these tips are useful for all DAWs. Step 1: Setup First, let’s have a listen to what we have right now. Download audio file (01volpad.mp3) If you’d like to learn how to make a sound like this, check out the Reverse Glass Tutorial. But for this tutorial, we’ll begin by adding a volume plugin to the mixer track. I’ll be using FL Studio’s Fruity Balance. Next, create an automation clip controlling the volume level. Step 2: Design Now we have a volume envelope. Let’s zoom in on one bar and draw the shape so that it ramps up from 0 to 100 on each beat. Download audio file (02volpad.mp3) Let’s slice this bar and paint it across the playlist to save us the trouble of drawing this shape a lot of times. Download audio file (03volpad.mp3) Now I’m... Relative News
-
AudioTutsPlus on 12/15/10
We have some amazing authors at Audiotuts+. Besides being incredibly talented at making and producing music, they’ve made the choice to share their knowledge with the rest of us. And that’s not an easy thing to do – they take hours out of their busy days and nights to sit down and write step-by-step tutorials so that we can learn to do what they do. We thought a lot of you might be curious to find out more about them. What do they do? What have they accomplished? What do they drink? So we’ll take some time over the next weeks and months to pull back the curtain and let you see. Today we meet West Latta, who is about to start a new tutorial series on audio in the gaming industry. What do you do professionally when you’re not writing for Audiotuts+? I’m an Audio Producer for Microsoft, working out of the Dublin, Ireland office. My primary role is Localization – coordinating and facilitation the recording of VO for Microsoft-published games for international markets. However,... Relative News
-
AudioTutsPlus on 1/19/11
This tutorial will show you how you can build an organic sounding ‘super flanger’ using the RV7000 and a combinator in Reason. This effect can really add some life and movement to drums and other sounds in your music, and takes advantage of the unique wiring options offered in Reason. I have used Reason 4 to make this effect but any version of Reason from 2.5 and upwards is fine. Below is an example of the kind of effect you can create with this device. Download audio file (audio example 1.mp3) Step 1 This process will be easier to understand if you know a little about what actually creates a flanging effect. Flangers are essentially the same as delay units, but with a very very short delay time. In this first audio example I am using the standard DDL-1 delay unit in reason, with a simple drum hit being played as I shorten the delay time. The first hit has a delay time of 191 ms, and the last one has a delay time of just 30 ms. Download audio file (audio example 2.mp3) You... Relative News
-
AudioTutsPlus on 12/16/10
When you buy an album or MP3, you are normally purchasing a license to listen to the music as a private individual. You can listen, but don’t touch. Or copy. Or redistribute! What if you want to include one of the tracks in a project—say a short film clip, an iPhone app, or a Flash project? Unless you have loads of money, you’re out of luck. So, what can you do? Where can you turn? Read on! In a recent Open Mic we explored this very issue. We asked, “Where can I find redistributable music?” A huge thanks to everyone who responded. Your answers form the basis of this article. And there isn’t just one answer to that question. In fact, there are three major categories of licenses that will give you the rights you are after. And each category of license has inspired countless website full of music. This article will introduce them to you. But before we start, be aware that different licenses give you different rights. Some come with significant limitations. As you read this... Relative News
-
AudioTutsPlus on 1/8/11
// The Mac App Store has just opened, and the first day was an unqualified success, with the download of over a million apps. What will the app store mean for audio software, and the future of the Mac? We have a look at the audio apps available on Day 1. There has been concern expressed over whether the app store is right for audio. It isn’t the right platform (in its current state) for the sale of plugins. And there is concern about the huge margins Apple make from other people’s software. Yet there are already 76 apps in the “Music” category of the store. There are also fears about whether Apple will make the Mac a closed shop by forcing all apps to be sold through the app store at some point in the future. But that remains to be seen. For now, the Mac App Store is a convenient way for Apple users to discover, install and update software. Let’s have a look at what’s available. By the way, you install the app store on your Mac by doing a standard System Update from the... Relative News
-
AudioTutsPlus on 1/18/11
I am an acoustic guitar lover. I have been playing guitar since I was a kid but it wasn’t until I was 22 that I started loving my acoustic guitar much more than I ever did my electric. Recently I had to sell my acoustic in order to buy a new one. Sounds peculiar but due to travel constraints I couldn’t travel with all my guitars, forcing me to sell my precious acoustic. Since I couldn’t live without a proper acoustic guitar I decided shortly thereafter to buy a new one. Buying a guitar, for me, is an intense project. I absolutely can not buy guitars online and need to weigh every option before I part with my cash. If you are in the same predicament I was, keep these few things in mind when you are deciding on your acoustic guitar. It will get you an amzing axe, regardless of budget. Play Every Guitar in Your Price Range When you go in to buy your guitar, set aside some time in the store to test out guitars. Se aside a budget and play every guitar in your budget. I... Relative News
-
AudioTutsPlus on 1/26/11
Creating a full, rounded and involving mix can be pretty challenging and one of the hardest bits is placing each instrument in it’s own defined space. Once you move past more than three or four elements there is always a danger of things becoming muddy. This is why we need to create separation. Ensuring that our instruments are clearly defined is not quite as hard as you may think. Like anything else in music production it really comes down to technique and experience. Let’s take a look at a list of ten things that should help you when completing your mixes. Step 1: Sound Selection The mixing process really starts as early as the sound selection process. Get things right at this early stage in your project and you could save yourself a huge amount of work later in the mixing process. The trick is to choose sounds that compliment each other in both timbre and frequency. For example using a large number of instruments that share the same low frequency can create a very confused... Relative News
