Results for [augep 2] :
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Matrixsynth on 1/20/11
flickr By fonitronik"both inputs are panned/faded across both outputs. when potentiometer or incoming CV is positiv In 1 goes towards R out, and In 2 towards L out. when incoming CV is negative it is the other way round... so i can use it as pan module or fader or even as VCA...""made a mistake with the board, so i had cut some traces.""i like this shallow sandwich technique. more front panel Relative News
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Matrixsynth on 12/17/10
YouTube via GNeuman | December 17, 2010On the first track:Assault On Precinct 13 Version 2.wmv "Slightly remixed version of AOP13, the Vox Humana chords are (I think) now more faithful to the original and I've upped the Moog basses and panned them to give (hopefully) a beefier sound..This is for Dad....RIP..28/08/35-12/08/10. I remember us so well watching this landmark film together and being Relative News
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AudioTutsPlus on 1/12/11
// In this tutorial we are going to cover how to use FL Studio’s master pitch and tempo tools to create a massive slow down you’ll hear at the end of some songs. This effect first came from records that would slow down as they came to an end and caused a drop in pitch and speed. Soon DJs would emulate this at a club as an effect. In the digital realm these is no record we can put our hands on, but we can automate a slider or two to get the same effect. If your using another DAW, check to see if you have a master pitch or tempo you can automate in your DAW. With all that in mind, let us begin! Step 1: Pick Your Beat Before we can start the slow down we will need something we can slow down first. To really show this effect off I am going to use an instance of Drumaxx and create beat by using a prebuilt pattern in the Drum n Bass genre. Drum n Bass usually floats around 170-190 BPM and is perfect for our purposes. After that I will drag my pattern out for 8 bars in a piano... Relative News
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AudioTutsPlus on 1/19/11
This tutorial will show you how you can build an organic sounding ‘super flanger’ using the RV7000 and a combinator in Reason. This effect can really add some life and movement to drums and other sounds in your music, and takes advantage of the unique wiring options offered in Reason. I have used Reason 4 to make this effect but any version of Reason from 2.5 and upwards is fine. Below is an example of the kind of effect you can create with this device. Download audio file (audio example 1.mp3) Step 1 This process will be easier to understand if you know a little about what actually creates a flanging effect. Flangers are essentially the same as delay units, but with a very very short delay time. In this first audio example I am using the standard DDL-1 delay unit in reason, with a simple drum hit being played as I shorten the delay time. The first hit has a delay time of 191 ms, and the last one has a delay time of just 30 ms. Download audio file (audio example 2.mp3) You... Relative News
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AudioTutsPlus on 1/23/11
Writing lyrics is a very personal thing, and it is that sense of individualism that can really help people relate to a song. There are no strict rules that must be followed, but having a helpful collection of songwriting resources can really help. Here are 7 sets of lyric writing resources with a bunch of helpful links. Feel free to add more resources in the comments. It will make this list more useful. 1. Life Experience But before you go elsewhere for help, first look to yourself. Your own life experience is your greatest resource. Countless songs have been written on just about every topic – love being the greatest cliche – but your own unique perspective makes it worth writing another one. As you live your life, you’ll come across: Interesting, unusual and memorable phrases and sayings. Often the catchiest part of a song is a single phrase. Keep your ears open for them. Stories. Whether it is the experiences of your own life, or stories from the lives of others you... Relative News
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AudioTutsPlus on 1/20/11
In the first example, we’ll use volume automation to make a flexible sidechain effect, and in the second example, I’ll show you how to use creative volume automation to give a track room to breathe. I’m using FL Studio, and these tips are useful for all DAWs. Step 1: Setup First, let’s have a listen to what we have right now. Download audio file (01volpad.mp3) If you’d like to learn how to make a sound like this, check out the Reverse Glass Tutorial. But for this tutorial, we’ll begin by adding a volume plugin to the mixer track. I’ll be using FL Studio’s Fruity Balance. Next, create an automation clip controlling the volume level. Step 2: Design Now we have a volume envelope. Let’s zoom in on one bar and draw the shape so that it ramps up from 0 to 100 on each beat. Download audio file (02volpad.mp3) Let’s slice this bar and paint it across the playlist to save us the trouble of drawing this shape a lot of times. Download audio file (03volpad.mp3) Now I’m... Relative News
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AudioTutsPlus on 1/17/11
More and more relative beginners are taking on their own mastering. This is great but if you plan to get the job done yourself there’s a few key things you should know before starting your first mastering sessions. One of the key things to look out for is the final level of your finished master and the amount of reduction to your music’s dynamic range. In most cases you will only need to look to your final limiter to address both of these issues. Let’s take a look. Watch That Dynamic Range One of the most important things to keep your eye on during any mastering session is the amount of dynamic range reduction taking place. This is usually directly linked to any dynamics processors you maybe using in your chain, so look at your compressors and limiters. Dynamic range reduction occurs when you apply gain reduction to your signal and will increase perceived volume and give you a more uniform level throughout your project. In moderate amounts this can work well but push... Relative News
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AudioTutsPlus on 1/13/11
// Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008. Following my tutorial on creating a house drum track we received requests for information on creating bass lines, lead sounds, FX and arrangements. So, over the coming weeks I will be supplying step-by-step tutorials, demonstrating possible techniques for completing an electronic house track. I will build on the track in each tutorial so you can see things develop and make the Logic project available at each stage. Even though these tutorials are completed in Logic Pro 8 and in a one particular style of house, the techniques are very much generic and can be applied to any software and genre of dance music. Note: this tutorial contains embedded audio that will not display in a feed reader. Click back to the site to read the tutorial with audio or download the Play Pack at the end of the tut. 1. Choose your weapon Once... Relative News
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AudioTutsPlus on 1/10/11
// Today I would like to show you a mini pluck sequence. I use this sound quite a lot in my productions, and invented the term “mini pluck”. It is used in several trance songs – especially in uplifting trance – but you can use other genres as well In this tutorial I’ll show you how to create a “mini pluck downer” type patch in Sylenth. This is basically a pluck arpeggio with a filter being modulated in a random rhythm. I use Ableton Live to create it. It is suitable for giving backing support to other parts of the song. Other words it’s a backing track just give some feel your tracks. Step 1: Create a Track Let’s insert a MIDI channel in Ableton and insert the MIDI clip. The length of the clip is three bars. Change the grid to 16th notes and draw some notes on C#4, E, G#, A and don’t leave any silence between them. So as you see the notes is rising on the scale. Duplicate this sequence until you reach bar 2.3. So the sequence looks like the following. This will act... Relative News
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AudioTutsPlus on 1/8/11
// The Mac App Store has just opened, and the first day was an unqualified success, with the download of over a million apps. What will the app store mean for audio software, and the future of the Mac? We have a look at the audio apps available on Day 1. There has been concern expressed over whether the app store is right for audio. It isn’t the right platform (in its current state) for the sale of plugins. And there is concern about the huge margins Apple make from other people’s software. Yet there are already 76 apps in the “Music” category of the store. There are also fears about whether Apple will make the Mac a closed shop by forcing all apps to be sold through the app store at some point in the future. But that remains to be seen. For now, the Mac App Store is a convenient way for Apple users to discover, install and update software. Let’s have a look at what’s available. By the way, you install the app store on your Mac by doing a standard System Update from the... Relative News
