Results for [black] :
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Matrixsynth on 12/1/10
YouTube via psychopath3000 | December 01, 2010 | 8 likes, 0 dislikes"This is a tune called, for no particular reason, 'Black on Blue' which I came up with this morning whilst experimenting with the different sounds I can get out of my violin with a Kaoss Pad 3.The set-up I'm using is a Whammy Pedal - Line 6 Pod 2.0 - Kaoss Pad 3 - Boss RC-50 Loop Station.http://www.myspace.com/johnjamesgarner" Relative News
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Matrixsynth on 3/30/11
via these auctions"This is a high quality art shirt made from hand pressed computer cut vinyl in eye popping neon colors of an intensity that no screen print could ever match. Shirt is a black Fruit of the Loom and is available in 2X, 3X and 4X. State size needed in checkout comments. (Smaller sizes of S, M, L,and XL available in a separate auction.)""This bug is wired! He's plugged into a Relative News
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Matrixsynth on 3/8/11
YouTube Uploaded by dkimcg on Mar 7, 2011"Ever wonder what those 4 black CV inputs are on the bottom left corner of the 250e? They are CV inputs, they do nothing until you eneable them to do something. Here I have them going through the 2 sequences, CV1 and Cv2 both select between 4 CVs, the 4Cv are the 4 outputs of the 281e in varying, but rhythmically related speeds. That gets sent to the Relative News
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Matrixsynth on 2/18/11
via win: "its a hybrid synth. it has analog oscillators (vco), filters (vcf), amps (vca), and digital lfo's and adsr's. etc. it's beautiful. I received it January 26, 2011, and I've been loving it since. will send some video clips later! : )here is what is on this thing:2011 BLUE LANTERN MODULAR SYNTHESIZER SYSTEMTOP ROW:(2) BLACK JACK VCO with saw/ramp/square/triangle/sine,(1) AC MIXER,(1) DC Relative News
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Matrixsynth on 5/4/11
via this auction"THE 2ND KEYBOARD EVER MADE BY CASIO.... FOLLOWING ON FROM THE EVEN RARER 201 THIS WAS MADE IN 1981. NO FANCY DRUMS JUST BASIC 100% ANALOGUE SOUNDS.I SAY BASIC BUT WHEN THIS CAME OUT, IT WAS AMAZING TO HAVE 49 PRE SET SOUNDS TO CHOOSE FROM, NO OTHER KEYBOARD CAME NEAR THAT. AS YOU CAN SEE THIS IS THE RARER BLACK CONTROL PANEL MODEL RATHER THAN THE TACKY WOODEN HOME MODEL THEY Relative News
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Matrixsynth on 6/9/11
I enabled blogger's mobile template for the site. If you view the site on your mobile device, it will come up by default. Note it is standard black font on white background which should be easier to read on smaller devices, but at the bottom of the page there is a link to go to the web format if you prefer instead. Feel free to comment on whether you like the new interface or not. I can Relative News
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AudioTutsPlus on 6/24/11
I remember my first electric guitar. I liked its design—it had great playability and was comfortable. It was a Stratocaster copy with three single coil pickups. One thing I didn’t like was the sound that came from the bridge pickup. It was too thin, and at that time I needed a pretty thick sound. So it sounded fat when played through Tube Screamer and Marshall amps. A few months later I replaced it with a single coil stack Humbucker and was happy with the results. The good thing is that a good pickup can make a cheaper guitar sound good and a good guitar sound excellent. Less hum, more tone, singing harmonics, at a fraction of the cost of replacing the instrument. What Is a Pickup? Electric guitar pickups are made with one or more magnets, and wire. The pickup consists of a magnet surrounded by a coil of copper wire with a certain number of turns that will result a magnetic field. When the strings vibrate, this affects the pickup’s magnetic field, and turns it into a... Relative News
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AudioTutsPlus on 1/26/11
Creating a full, rounded and involving mix can be pretty challenging and one of the hardest bits is placing each instrument in it’s own defined space. Once you move past more than three or four elements there is always a danger of things becoming muddy. This is why we need to create separation. Ensuring that our instruments are clearly defined is not quite as hard as you may think. Like anything else in music production it really comes down to technique and experience. Let’s take a look at a list of ten things that should help you when completing your mixes. Step 1: Sound Selection The mixing process really starts as early as the sound selection process. Get things right at this early stage in your project and you could save yourself a huge amount of work later in the mixing process. The trick is to choose sounds that compliment each other in both timbre and frequency. For example using a large number of instruments that share the same low frequency can create a very confused... Relative News
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AudioTutsPlus on 6/9/11
Let’s say you created your mix in your favorite sequencing software. You’ve laid out all tracks with crossfades, filter and effects automation and you would like to burn the results onto a CD for distributing to record labels, duplication houses or your friends. I am going to show you a great, streamlined way of achieving just that. I will be exporting my DJ set from Ableton Live, then importing the resulting material into Sound Forge 10 to create a track compilation with no pauses in between. Finally, I will use Sound Forge’s professional CD authoring tools to burn the compilation onto CD. Setting Up In Ableton Live, it’s very easy to warp tracks and arrange them in the Arrange view along with any fades, effects and tempo automation. In this example, I’ve used two audio tracks to compose my mix. A typical two track layout with effects and master tempo automation One thing to consider here is that the length of your mix should not exceed 79.8 minutes as described in... Relative News
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AudioTutsPlus on 2/3/11
Soundproofing and acoustic treatment are important topics to tackle when setting up a home studio. Even if all of your sounds are electronic, the room you are in will strongly affect the sound you are hearing through your monitors. In this article we get to grips with the issues and some common ways of dealing with them. A few weeks ago I asked Audiotuts+ readers for their hints and tips about soundproofing in an Open Mic. A huge thanks to everyone who responded. You’ll find many of the suggestions in this article. An article like this is never finished—you can add your experiences to the comments too. Which acoustic treatment techniques did you find effective? Are there any products you would like to recommend? Did you learn some lessons the hard way that you can warn the readers about? Bobby Owsinski’s excellent Premium tutorial Build an Effective Room Treatment on the Cheap (borrowed liberally from Chapter 2 of his book “The Drum Recording Handbook” ) gives a great overview.... Relative News
