Results for [circuit bent] :
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rekkerd.org on 4/22/11
AudioThing has announced the release of Magical Toy Keyboard, a sample library for Native Instruments Kontakt. Years ago I used to do circuit bending and I had many little toy keyboards around. This one was one of my favourite, perfect for 8bit and chiptunes genres or just for fun. This Kontakt Library includes all sounds [...] Relative News
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Matrixsynth on 1/6/11
via SuONOIO"Hello all,I recently visited Alessandro and we spent some time organizing the production of the upcoming batch of SuONOIO. Things are looking great! All of the electronic parts are in hand, and we are just waiting on the batch of circuit boards to arrive from overseas which should ship any day now. Then, I’ll build an example to confirm that the boards work, and for the factory to use Relative News
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Matrixsynth on 2/2/11
Livewire Vulcan with reset / sync mod from Danjel van Tijn on Vimeo."Demo of a mod done to the Livewire Vulcan to allow independent reset of the two LFOs. To the right of the Vulcan you can see a 4HP panel with the two jacks mounted, behind this is a circuit board designed to interface to the Vulcan and process incoming triggers. Jack1 is normalled to Jack 2 so that one cable can trigger both Relative News
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Matrixsynth on 1/16/11
via this auction"This is one way out there Fuzz pedal that will summon sounds from outer space. I know, in space "no one can hear you scream," but if they could it would sound like this pedal. Devi Ever from Effector 13 designed this dual Soda Meiser styled fuzz pedal. Ram one fuzz into another or start flipping switches and see what happens! The "C" switches remove a component from the circuit, Relative News
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Mix on 1/14/11
Telefunken's new large-diaphragm condenser microphone, the CU-29, has been in development for 18 months. The CU-29 Copperhead was designed by the in-house engineering team, with outside consultation from top amplifier designers. The CU-29 Copperhead (pictured) is based around a unique circuit that features a New Old Stock (NOS) Telefunken vacuum tube, custom audio transformer and a fixed-cardioid large-diaphragm capsule. Sonically, the microphone exhibits similar characteristics found in its R-F-T Series counterparts, the AR-51 and the AK-47 MkII. Relative News
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Matrixsynth on 4/5/11
YouTube Uploaded by organfairy on Apr 5, 2011"Last summer I bought a big box of old Wersi circuit boards from a former Wersi builder. Amongst them were a complete Wersimatic II drum machine with auto accompaniment.It had some defects but now it is (practically) working.The first song I ever heard that featured a Wersimatic II was the first title on a live album by Klaus Wunderlich and was a mambo Relative News
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Matrixsynth on 4/16/11
Ciruit Abbey - Gravity Well Demo 01 from Low-Gain on Vimeo."*Note: Turn on your subs and turn it up for full awesome bass goodness! Or listen w/ headphones.*Just got my Gravity Well by Circuit Abbey today. I had to shoot a video. Holy crap this module is awesome! Some real Reznor type shit! Lots of Swarmatron style sounds. all things modular are running into the Gravity Well. You can get so much Relative News
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Matrixsynth on 3/24/11
YouTube Uploaded by 66outsider99 on Mar 23, 2011"SWC Spaceyards' 4th DIY 'synth' creation (enclosure still under construction). This is a 40106 IC based project, with a 741 based resonant LPF circuit. Control details: LFO knob X 1, Voltage Sag knob X 1, Panic Button X 1, OSC pitch knob X 5, OSC hi/lo capacitor switch X 5 (osc range), OSC PWM knob X 5, OSC 1n914 diode/33k resistor mix out switch X Relative News
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AudioTutsPlus on 4/18/11
Using reverbs and delays as return effects is more a less a essential part of mixing. The only problem with these effects set ups is that longer reverbs and delays can sometimes confuse a clear mix. Luckily there are a few things we can do to keep things tight and make sure you mix remains intelligible and punchy. Cut Those Lows If you have read my other tutorials you may be aware that I’m quite a fan of cutting low frequencies all over my mixes. As long as it it approached with caution the high pass filter can be your best friend in so many mix scenario and this is one of them. Often larger delay and reverb effects will mask the actual audio your effecting but using a simple high pass filter about 200 Hz (or above) much of this problem can be eradicated, or at least controlled. Adding delay or reverb to low frequencies often causes a real problem and can create a confused low end mix, this simple technique should really help. Removing the low end from a reverb based... Relative News
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AudioTutsPlus on 4/18/11
Using reverbs and delays as return effects is more a less a essential part of mixing. The only problem with these effects set ups is that longer reverbs and delays can sometimes confuse a clear mix. Luckily there are a few things we can do to keep things tight and make sure you mix remains intelligible and punchy. Cut Those Lows If you have read my other tutorials you may be aware that I’m quite a fan of cutting low frequencies all over my mixes. As long as it it approached with caution the high pass filter can be your best friend in so many mix scenario and this is one of them. Often larger delay and reverb effects will mask the actual audio your effecting but using a simple high pass filter about 200 Hz (or above) much of this problem can be eradicated, or at least controlled. Adding delay or reverb to low frequencies often causes a real problem and can create a confused low end mix, this simple technique should really help. Removing the low end from a reverb based... Relative News
