Results for [demo] :
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Matrixsynth on 1/7/11
via dyLAB:"I've recently had my roland TR-606 modified by exfade. I've stuck a couple of shots on flickr.Also I've recorded a bit of a demo of each sound that people can download and slice. [below]Its all out of the main mix out so there might be a bit of noise across the sounds but it gives you an idea of the sounds this thing is capable of and some of the sounds are useful for samples" TR- Relative News
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Matrixsynth on 1/2/11
YouTube via yerpa58 | January 02, 2011 | "Just a quick demo of a few things the MakeNoise Rene sequencer can do. I'm using the x-y mode, QCV output to Doepfer A-110 VCO and A-130 VCA. MakeNoise MATHS provides the envelopes. Two clocks provided to Rene by MakeNoise Wiard Wogglebug divided by Doepfer A-160 clock divider.Pentatonic scale used here, the top row of Q page is de-selected so that the Relative News
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Matrixsynth on 2/8/11
"Optigan.com is kicking off 2011 with our first 2-disc Style-Pak - STRINGS. The individual discs in this set are CHAMBER STRINGS and SYMPHONIC STRINGS. It's priced at a special 2-for-1 rate. To hear a demo, read the details and place your pre-order, go here.Also, we're going to start making these types of announcement on Twitter, since that seems to be where all the cool kids are hanging out Relative News
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Matrixsynth on 2/7/11
MiDi-to: iPad controller for Serato from MiDi-to app on Vimeo."MiDi-to is a wireless iPad midi controller for Serato Scratch Live. It is the first app that does not need any additional software to work.The purpose of our app is to minimize interaction with the computer. In this demo the DJ does not touch the computer at any moment. All control is done through the turntables, mixer and iPad.Now Relative News
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Matrixsynth on 2/2/11
Livewire Vulcan with reset / sync mod from Danjel van Tijn on Vimeo."Demo of a mod done to the Livewire Vulcan to allow independent reset of the two LFOs. To the right of the Vulcan you can see a 4HP panel with the two jacks mounted, behind this is a circuit board designed to interface to the Vulcan and process incoming triggers. Jack1 is normalled to Jack 2 so that one cable can trigger both Relative News
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AudioTutsPlus on 1/31/11
Probably most of you have played computer games or have watched movies, where the music is made with large percussion hits and really low ethnic drums. I remember watching the Warcraft 3 introduction video, where the attack of the orcs was accompanied by smashing drums. I always wanted to capture that sound and in this quick tip I’ll try to explain you some of the techniques I’ve come across in my experience. Step 1: Choose Your Samples Of course, like everything else in MIDI sequencing, the better the samples, the better the result. In my case I’ll be using Quantum Leap StormDrum 2 – a nice library, full of drum samples, that vary from epic low hits to glitches and ethnic finger cymbals. If you don’t own StormDrum 2, don’t worry because all these hints and tips can be applied to other libraries as well – just trust your ears! Okay, so I’ve loaded these samples: Tong Zi Set Chinese Kettle Drums Dynasty O’Daiko O’Daiko Set Brushed Drums Earthquake Ensemble All... Relative News
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AudioTutsPlus on 2/8/11
In December West Latta started an impressive series on getting into the Game Audio business. Today the series continues with twice the detail and double the insights—as a Premium tut. In Part 2 has a detailed look at an all-important (and much-neglected) topic: marketing. If your serious about getting into the industry, don’t miss it! To learn more about what you get as part of Audio Premium, read this. To take a peek inside this tutorial, hit the jump! If you’re new to the Games Industry, you may ask yourself, “Why should I focus on ‘selling myself’ when I have only limited relevant experience and little-to-no hands-on experience? Shouldn’t I spend time learning the trade before I try to break in?” The answer to the second question is, “YES,” but it doesn’t negate the answer to the first question, which is, “Your image is one of your most valuable assets. The more polished you are from Day 1, the more likely you are to be able to find the experiences necessary to break... Relative News
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AudioTutsPlus on 1/8/11
// The Mac App Store has just opened, and the first day was an unqualified success, with the download of over a million apps. What will the app store mean for audio software, and the future of the Mac? We have a look at the audio apps available on Day 1. There has been concern expressed over whether the app store is right for audio. It isn’t the right platform (in its current state) for the sale of plugins. And there is concern about the huge margins Apple make from other people’s software. Yet there are already 76 apps in the “Music” category of the store. There are also fears about whether Apple will make the Mac a closed shop by forcing all apps to be sold through the app store at some point in the future. But that remains to be seen. For now, the Mac App Store is a convenient way for Apple users to discover, install and update software. Let’s have a look at what’s available. By the way, you install the app store on your Mac by doing a standard System Update from the... Relative News
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AudioTutsPlus on 2/2/11
When recording song demos at home, I find often find myself wanting to add a flavour of the textures and excitement of a live performance, looking for some way to smooth the transition between dramatic dynamic shifts, or just hankering for some crazy noises to add some interest. Using direct recording techniques, or recording at the low volumes that home recording often requires, it can be hard to replicate or capture the unpredictable excitement of a cranked, live guitar, and while many DAWs and third party plugins provide some interesting options, I’m always keen to come up with something organic and replicable before I resort to digital trickery. And besides, making noise is fun! With that goal in mind, this tutorial will introduce you to some of my favourite techniques for creating textural interest and special effects with a typical home demo recording set-up. Requirements The whole idea here is creating something that you can replicate, whether for live performance... Relative News
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AudioTutsPlus on 1/10/11
// Today I would like to show you a mini pluck sequence. I use this sound quite a lot in my productions, and invented the term “mini pluck”. It is used in several trance songs – especially in uplifting trance – but you can use other genres as well In this tutorial I’ll show you how to create a “mini pluck downer” type patch in Sylenth. This is basically a pluck arpeggio with a filter being modulated in a random rhythm. I use Ableton Live to create it. It is suitable for giving backing support to other parts of the song. Other words it’s a backing track just give some feel your tracks. Step 1: Create a Track Let’s insert a MIDI channel in Ableton and insert the MIDI clip. The length of the clip is three bars. Change the grid to 16th notes and draw some notes on C#4, E, G#, A and don’t leave any silence between them. So as you see the notes is rising on the scale. Duplicate this sequence until you reach bar 2.3. So the sequence looks like the following. This will act... Relative News
