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Matrixsynth on 1/31/11
via this auction"The Korg MS-50 was the most modular, most complex and most expensive of Korg's MS line of synths. This keyboard-less expander type module is completely patchable and had either Hz/volt or volt/octave CV ins to the oscillator (which allows it to work with other old Korgs (MS-20, MS-10, SQ-10 sequencer) as well as the more typical Moog, ARP, Roland, Sequential Circuits and Oberheim Relative News
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Computer Music on 12/17/10
There are some cracking Christmas deals around at the moment, so here's our guide to some of the big software savings you could make during the festive season.FabFilter25% discount on all plug-in bundles until 31st December 31 2010.Mildon StudiosUp to 70% discount on plug-ins until 3rd January 2011.OhmForceUse these codes to access discounts until the 24th:FROHMAGE-PLEASURES (40% off the Quad Frohmage filter bank)OHMBOYZ-MUSKETEERS (40% off the OhmBoyz delay)FROHMAGE-OHMBOYZ-ADVENTURE (40% off both)realsamplesAll sample libraries in the shop are 50%, but European residents will need to add 19% German VAT to the final amount. Offer applied until the 24th of December 2010.Orders can be mailed to info@realsamples.dereFXDiscounts of up to 44% for an unspecified period.Wave AlchemyUp to 50% off selected products until 29th December 2010. Relative News
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Computer Music on 1/12/11
CLICK HERE TO BUY THIS ISSUE NOW COVER FEATUREUnplugged!• Record, mix and master an acoustic band with our in-depth tutorial. ON THE 7.8GB DISC• 1000 Loopmasters samples - Royalty-free beats, basslines, one-shots, FX, pads, riffs, leads, multisamples and more!• 2037 24-bit UK Garage samples• Producer Masterclass tutorial and video: John B IN THE MAG• Extreme freeware: The most deranged plug-ins on the net, and how to use them• Fade Away: There's more to the humble fade than you might think – we show you• Blast from the past: Make synthtastic tracks on your iPad with Korg's amazing iMS-20• The CM guide to Soundation: Say hello to the fully online DAW• CM Focus: UK Garage• Interview: Nu:Tone• Reviews: Avid Pro Tools 9 – FXpansion Geist – Overloud SpringAge – Universal Audio EP-34 Tape Echo – Flux IRCAM Spat – Synthogy Ivory II Grand Pianos – iZotope RX2 – Kuassa Amplifikation One – and more…AND MUCH MORE! cm161 is on sale now in the UK. Overseas dates are roughly: USA +... Relative News
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AudioTutsPlus on 4/7/11
With the plethora of free and paid plugins currently available on the market, chances are that you already have access to a few of them. It might get intimidating trying to organize these plugins in a logical and understandable structure in your hard drive. Ableton Live has some nice organizational features that can make your life easier. Plugin Installation A users would typically install external plugins in a folder location similar to this one: Local Drive:\Program Files\Steinberg\Vstplugins. I prefer to create a second partition on my hard drive (or even another drive) where I install my plugins. I can always recover the installation folder in case of operating system failure. When in need of reinstalling the operating system and possibly reformatting the partition on which the operating system is installed, the other partition will still be unchanged. Two partitions and an external hard drive connected in Windows 7 file manager. C: is the one with operating system... Relative News
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AudioTutsPlus on 12/7/10
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in July 2008. Mastering your tracks can be a bit of a minefield and is often seen as the domain of the professional. However, if your tracks are just for demo purposes, a DJ set or even use on the net, you may want to tackle the job yourself. In this tutorial, you’ll learn how to master a track quickly and easily. Mo Volans shows you how… Software and equipment used This tutorial was completed in Logic Pro 8 using a mixture of Logic’s native plug-ins and third party processors from Universal audio. Although this specific mix of products is used in the workshop, all techniques are generic and can be translated to any genre of music using similar plug-ins and any digital audio workstation software. Step 1 Start by adding a stereo track to accommodate your un-mastered track. This should be an exported or recorded version of your entire mix-down.... Relative News
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AudioTutsPlus on 2/11/11
In this tutorial we are taking a look at how to add punch, shine and edge to your drum parts. So whether you have a cool drum loop that lacks that certain something or an entire drum group that needs a lift, these simple steps should point you in the right direction. As with many of my tutorials you can more or less ignore the specific DAW or plug-in I’m using as these techniques are generic in nature. You should be able to easily recreate the results I achieve here by using a similar plug-in your chosen DAW. Step 1: Simple Gating One of the most effective ways to add focus to any drum part is the use of a simple gate. I have friends who are producers who literally swear by this production technique. The beauty of using a gate to effect your drums is that it’s super quick and leaves the core characteristics of your drum sound untouched. Simply insert a gate plug-in on your drum group or loop channel and move the threshold all the way to zero. At this point you should hear... Relative News
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AudioTutsPlus on 1/17/11
More and more relative beginners are taking on their own mastering. This is great but if you plan to get the job done yourself there’s a few key things you should know before starting your first mastering sessions. One of the key things to look out for is the final level of your finished master and the amount of reduction to your music’s dynamic range. In most cases you will only need to look to your final limiter to address both of these issues. Let’s take a look. Watch That Dynamic Range One of the most important things to keep your eye on during any mastering session is the amount of dynamic range reduction taking place. This is usually directly linked to any dynamics processors you maybe using in your chain, so look at your compressors and limiters. Dynamic range reduction occurs when you apply gain reduction to your signal and will increase perceived volume and give you a more uniform level throughout your project. In moderate amounts this can work well but push... Relative News
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AudioTutsPlus on 12/30/10
// It’s been a big year! In 2010 we’ve seen some great tuts, some interesting series, and introduced Quick Tips. We recently published our thousandth post. I’d like to thank our brilliant authors, and also thank you—the Audiotuts+ community—for your interest, involvement and comments. Here are the Top 15 posts of the year, categorized by written tuts, video tuts and articles. Their popularity was measured by taking into account the number of times they have been visited, and the number of comments they inspired. Congratulations to all of the authors involved for your useful and insightful work, and for often going beyond the call of duty. Top 5 Written Tutorials How to Create Organic Ambient Instruments in Ableton Live Alkis Livathinos In this tutorial we are going to use Ableton Live’s “Sampler” and some of its built-in audio effects to produce wide, organic, ambient textures and pads, originating from a single one-note instrument sample. It’s a great way to create... Relative News
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AudioTutsPlus on 3/11/11
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in July 2008. So, you’ve recorded a vocal, and now you want to mix it and process it so it sounds great in your mix. We’re not going to look at tracking vocals in this tutorial. Instead, we’re going to focus on how to process vocals once you’ve recorded them. Depending on your room, your mic and placements, your pre-amps and inputs and, above all, your skill-level, the quality of your recorded vocal sound is going vary. Vocal processing can seem like a bit of a dark art when you’re just trying to get by recording your material at home with budget equipment. But, no matter how bad your initial sound is, you can improve it. Note: this tutorial contains embedded audio that will not display in a feed reader. To hear audio, click back to the tutorial or download the Play Pack for this tut (scroll down to the end). In this tutorial, we’re going... Relative News
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AudioTutsPlus on 2/10/11
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in October 2008. Have you ever wondered how modern rock bands get that really tight sound? The rhythms sometimes sound too perfect for even the best musicians to pull off. With today’s technology it is possible to easily quantize your audio tracks. This tutorial will teach you how to start correcting your timing by using beat detective and elastic audio in Digidesign’s Pro Tools software. Check out the sample file I recorded for an example of some quantized audio. AudioPlayer.embed("audioplayer_1", { soundFile: "http://d3vvl31cy8gagb.cloudfront.net/80_quantizeprotools/BeatCorrected.mp3", titles: "Quantization example" }); Example of quantization Step 1 To become comfortable with the beat correcting process, it is best to a start off with a guitar track because it has many large transients and peaks within the waveform.... Relative News
