Results for [Rode Procaster] :
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Gear Junkies on 3/22/11
RØDE Microphones is extremely excited to announce the release of its RØDE University audio education course for the Apple iPhone, iPod Touch and iPad. This free app includes all the video content from both the musical and broadcast... Relative News
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Gear Junkies on 10/6/11
To commemorate the Classic and Classic II tube microphones, RØDE has announced a custom edition of its Classic II, exclusively limited to an edition of 500 worldwide. The release of this microphone coincides with RØDE’s... Relative News
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Sound On Sound on 12/20/11
SE, Rode, AKG & Neumann in shoot-out-- Sonic Distribution recently set up a blind listening test at Sphere studios in London, where the following mics were used to record the same set of vocal and acoustic guitar examples: SE Electronic Relative News
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rekkerd.org on 7/14/11
The Sound Effects Bible has announced the Sound Effects Bible Starter Kit, a limited time offer in celebration of the launch of its new website. We’ve been working hard on our new website and now it’s time to celebrate! This Starter Kit includes an autographed copy of the Sound Effects Bible, a Rode Blimp (the [...] Relative News
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AudioTutsPlus on 6/15/11
Microphones can be a confusing area for the newly indoctrinated audio engineer. Dynamic and condenser microphones are the two main varieties Let’s take a look at the fundamental differences and which sort you should choose for different recording applications. Keep in mind the two following concepts when reading on: Frequency Response: the ability of the microphone to reproduce frequencies across the entire audible spectrum, 20Hz-20kHz. Transient Response: The ability of the microphone to reproduce the instantaneous amplitude of the sound source. Dynamic Microphones These are the work horses of the microphone world. They are rugged and will withstand the most horrific of abuse and traditionally withstand very high sound pressure levels, this is why they are the common choice for live applications. Having said that, they also have a well earned place in the studio. Microphones like the Shure SM58 and SM57, and the Sennheiser MD421 have reached cult status as live and... Relative News
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AudioTutsPlus on 5/14/11
Classical guitar, hard work, playing tennis, and Rode microphones. Our sister site AudioJungle is a royalty-free stock audio site that helps musicians earn money. In this interview series you’ll learn about those musicians, their gear, and their AudioJungle experiences. Today we meet Plastic3. Tell us a bit about yourself. Where are you from, what do you do for a living? I’m from Dniepropetrovsk in the Ukraine, and I make my living as a songwriter, singer, and for the last five years also as an arranger. Which marketplaces do you belong to? What types of files do you sell? I belong to AudioJungle. This is a really great place for selling your music. I sell all types of files, but mostly music tracks of different styles – from ambient and pop-trance to children and dance music… Recently I also have started to upload stock footage on VideoHive – I espeсially like time lapse video of a clouds. How did you get started? Have you had any formal training? I have written... Relative News
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AudioTutsPlus on 8/8/11
As I said in my previous article Making a Convincing Melody with Sampled Orchestral Strings, one of the toughest things when making a MIDI mock-up is the string part. Sadly for me, since my last tutorial, I haven’t had the chance to try Hollywood Strings or LASS, so I’ll be doing this tutorial with my good old friend East West Quantum Leap Orchestra Complete, without blending different patches, using just one! So, before going to the tutorial, there is no point in lying to you. MIDI is always a temporary option. For us, the film composer guys, MIDI is a solution till the time we can record a live orchestra. In my humble opinion, live music can never be replaced by zeroes and bits, mainly because it lacks the heart of the musician. Maybe some of you thing that this is a cliché but it’s totally true that even after working for months on a MIDI orchestration, you can’t get 40% out of a real orchestra. Of course, very few of us would be that lucky to afford a real orchestra... Relative News
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AudioTutsPlus on 3/11/11
Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in July 2008. So, you’ve recorded a vocal, and now you want to mix it and process it so it sounds great in your mix. We’re not going to look at tracking vocals in this tutorial. Instead, we’re going to focus on how to process vocals once you’ve recorded them. Depending on your room, your mic and placements, your pre-amps and inputs and, above all, your skill-level, the quality of your recorded vocal sound is going vary. Vocal processing can seem like a bit of a dark art when you’re just trying to get by recording your material at home with budget equipment. But, no matter how bad your initial sound is, you can improve it. Note: this tutorial contains embedded audio that will not display in a feed reader. To hear audio, click back to the tutorial or download the Play Pack for this tut (scroll down to the end). In this tutorial, we’re going... Relative News
