Related to "A Bleep Labs Merry XMas" :
-
AudioFanzine EN on 1/11/11
bleep!BOX, the cross-platform, analog style drum machine, is now compatible with the Mac AU format. Relative News
-
Matrixsynth on 1/9/11
via Bryan Bowmen's PhotosThought this was a cool shot.Update: one more pic below. Bleep Labs NebulophoneUpdate: video added below.YouTube via bowmoneydrums | January 09, 2011 | "short deom of the pico paso i built from a kit...more to come!" Relative News
-
Gear Junkies on 1/8/11
For the first time ever, the music industry is experiencing a huge power surge thanks to 64-bit technology. The SoundSlate PRO combines the latest in computer technolgy with proprietary software and design, delivering the next logical evolution in... Relative News
-
Matrixsynth on 1/10/11
via this auction"Type U-73 synthesizer. The synth is the same size as a standard effectes pedal and has simple 1/4" power (in addition to 9V battery) and 1/4" output to your amp, effects board, or mixing board... The synth is pretty interesting and function more like an oscillator with an x and y axis. Turning the knobs creates a theremin-like sound that can be altered and affected as you "play". Relative News
-
Synthopia on 1/9/11
Open Labs is introducing the SoundSlate Pro rack-mountable music computer at the 2011 NAMM Show. Here’s what they have to say about the SoundSlate Pro: The SoundSlate PRO combines the latest in computer technolgy with proprietary software and design, delivering the next logical evolution in integrated music-creation and open-platform innovation. The SoundSlate PRO is your [...] Relative News
-
AudioTutsPlus on 1/10/11
// Today I would like to show you a mini pluck sequence. I use this sound quite a lot in my productions, and invented the term “mini pluck”. It is used in several trance songs – especially in uplifting trance – but you can use other genres as well In this tutorial I’ll show you how to create a “mini pluck downer” type patch in Sylenth. This is basically a pluck arpeggio with a filter being modulated in a random rhythm. I use Ableton Live to create it. It is suitable for giving backing support to other parts of the song. Other words it’s a backing track just give some feel your tracks. Step 1: Create a Track Let’s insert a MIDI channel in Ableton and insert the MIDI clip. The length of the clip is three bars. Change the grid to 16th notes and draw some notes on C#4, E, G#, A and don’t leave any silence between them. So as you see the notes is rising on the scale. Duplicate this sequence until you reach bar 2.3. So the sequence looks like the following. This will act... Relative News
-
Matrixsynth on 1/10/11
via Heath Finnie's The Secret Life of Daytime "This is a portion of the system as it will be. Truth be told, it already looks different as since the photo I changed the layout and added some modules that were not present in this photo. A fourth oscillator, Steiner filter, STG sea devils filter (EMS Synthi clone) and STG Post-Lawsuit filter ('clone' of the 4072 in the ARP 2600). The left cabinet Relative News
-
Create Digital Music on 1/11/11
Dave Cross thinks more about the design of DJ gear than even most passionate electronic music enthusiasts. Aside from stints at DJ Times and Ableton, this is a man who wrote an honors thesis on the history of the DJ mixer [PDF]. Then again, maybe it’s more a matter of the industry being painfully behind. … Continue → Relative News
-
GearWire on 1/11/11
For Winter NAMM 2011, A-Designs Audio introduced the JM-3001 -- a preamplifier, equalizer, and instrument input housed in a single-rack-space frame.read more Relative News
-
Gear Junkies on 1/12/11
Equally ideal for both studio recording and live sound use, the JM-3001 from A-Designs Audio is a versatile preamplifier, equalizer and instrument input housed in a single-rack-space frame. Hand-built in the US, the new A-Designs device features... Relative News







