The AES International Audio For Games Conference will be held Wednesday, February 2 through Friday, February 4 in London at the BAFTA Headquarters (195 Piccadilly). Conference Chairman Michael Kelly announces that John Broomhall (pictured), an audio director, consultant and content provider, will present the keynote address at 11 a.m. on Thursday, February 3.
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AudioTutsPlus on 1/8/11
// The Mac App Store has just opened, and the first day was an unqualified success, with the download of over a million apps. What will the app store mean for audio software, and the future of the Mac? We have a look at the audio apps available on Day 1. There has been concern expressed over whether the app store is right for audio. It isn’t the right platform (in its current state) for the sale of plugins. And there is concern about the huge margins Apple make from other people’s software. Yet there are already 76 apps in the “Music” category of the store. There are also fears about whether Apple will make the Mac a closed shop by forcing all apps to be sold through the app store at some point in the future. But that remains to be seen. For now, the Mac App Store is a convenient way for Apple users to discover, install and update software. Let’s have a look at what’s available. By the way, you install the app store on your Mac by doing a standard System Update from the... Relative News
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AudioTutsPlus on 1/13/11
// Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in September 2008. Following my tutorial on creating a house drum track we received requests for information on creating bass lines, lead sounds, FX and arrangements. So, over the coming weeks I will be supplying step-by-step tutorials, demonstrating possible techniques for completing an electronic house track. I will build on the track in each tutorial so you can see things develop and make the Logic project available at each stage. Even though these tutorials are completed in Logic Pro 8 and in a one particular style of house, the techniques are very much generic and can be applied to any software and genre of dance music. Note: this tutorial contains embedded audio that will not display in a feed reader. Click back to the site to read the tutorial with audio or download the Play Pack at the end of the tut. 1. Choose your weapon Once... Relative News
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AudioFanzine EN on 1/13/11
BTE Audio has released version 2.0 of TS' Secret, a free vintage overdrive VST effect plug-in for Windows. Relative News
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rekkerd.org on 1/10/11
In anticipation of its debut at the Winter NAMM 2011 exhibition next week in Anaheim, CA, MOTU has unveiled the 828mk3 Hybrid, an enhanced version of their popular 828 audio interface that now provides flexible connectivity to Mac or Windows computers via Firewire or high-speed USB 2.0. Relative News
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GearWire on 1/11/11
To follow the recently released Pultec-style EM-PEQ 500 Series equalizer module, A-Designs Audio has announced the EM-EQ2, a new two-channel rackmounted version ideal for tracking, mixing, and mastread more Relative News
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Matrixsynth on 1/11/11
via this auction"For the first time ever, Throbbing Gristle's legendary effects unit, The Gristleizer, is now available in its classic tabletop form. Though the original design by Roy Gwinn is over 30 years old, The Gristleizer had never seen commercial production until the summer of 2009, when Endangered Audio updated and improved the circuit. The tabletop version is designed to sit within Relative News
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rekkerd.org on 1/12/11
BTE Audio has released version 2.0 of TS’ Secret, a free vintage overdrive effect plug-in for Windows. Relative News
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GearWire on 1/11/11
For Winter NAMM 2011, A-Designs Audio introduced the JM-3001 -- a preamplifier, equalizer, and instrument input housed in a single-rack-space frame.read more Relative News
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AudioFanzine EN on 1/13/11
Alesis announces the iO4 USB audio interface, a compact audio-recording interface for home, project and portable studio recording setups. Relative News
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AudioTutsPlus on 1/12/11
// In this tutorial we are going to cover how to use FL Studio’s master pitch and tempo tools to create a massive slow down you’ll hear at the end of some songs. This effect first came from records that would slow down as they came to an end and caused a drop in pitch and speed. Soon DJs would emulate this at a club as an effect. In the digital realm these is no record we can put our hands on, but we can automate a slider or two to get the same effect. If your using another DAW, check to see if you have a master pitch or tempo you can automate in your DAW. With all that in mind, let us begin! Step 1: Pick Your Beat Before we can start the slow down we will need something we can slow down first. To really show this effect off I am going to use an instance of Drumaxx and create beat by using a prebuilt pattern in the Drum n Bass genre. Drum n Bass usually floats around 170-190 BPM and is perfect for our purposes. After that I will drag my pattern out for 8 bars in a piano... Relative News