Metallica guitarist Kirk Hammett joined Tool on stage during the band's January 14 concert at the Neal S. Blaisdell Center in Honolulu, Hawaii.
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Ultimate Guitar on 1/11/11
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Ultimate Guitar on 1/11/11
UK's Guitarist magazine recently conducted an interview with guitarist Alex Lifeson of Canadian rock legends Rush. Relative News
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AudioPRO International on 1/11/11
Industry veteran to lead EV sales in Quebec Relative News
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Ultimate Guitar on 1/10/11
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SonicState on 1/13/11
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FutureMusic on 1/11/11
New FM in shops today. Go buy! Or buy online here. Or subscribe using our fabulous 'up to 35% off' offer here and have FM posted to your door for free on launch day!This is getting to be a habit. After breaking the mold last year we decided it was time to bite the bullet and pull together our trickiest, most expansive feature of the year. Future Music issue 235 is a product of months of planning, hours of arm twisting and entire days of thanking people. This is The Producer Special 2011 and we reckon that 2011's effort is our best one yet. For a start there's that amazing double cover and star-laden photoshoot. Check out the full folded out version above.Then there's our biggest feature ever inside the mag. Starting on page 50 you'll find 50 brilliant tips from 50 of the most brilliant minds in music-making. The reviews zone this month is no slouch either. We've the world's first review of Moog's Slim Phatty, AKA the most inexpensive way to get a full-featured Moog... Relative News
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Matrixsynth on 1/8/11
Well, it's that time of year again. Keep an eye out on the NAMM label (added to top right menu) for everything NAMM and more. More in that anything new will get the label whether it's shown at NAMM or not. It's about new gear. Updates in this post will be preceded in red. Some already in below. See "The NAMM List!" link under the Twitter, Facebook, and RSS labels on top of the right to get Relative News
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AudioTutsPlus on 1/12/11
// In this tutorial we are going to cover how to use FL Studio’s master pitch and tempo tools to create a massive slow down you’ll hear at the end of some songs. This effect first came from records that would slow down as they came to an end and caused a drop in pitch and speed. Soon DJs would emulate this at a club as an effect. In the digital realm these is no record we can put our hands on, but we can automate a slider or two to get the same effect. If your using another DAW, check to see if you have a master pitch or tempo you can automate in your DAW. With all that in mind, let us begin! Step 1: Pick Your Beat Before we can start the slow down we will need something we can slow down first. To really show this effect off I am going to use an instance of Drumaxx and create beat by using a prebuilt pattern in the Drum n Bass genre. Drum n Bass usually floats around 170-190 BPM and is perfect for our purposes. After that I will drag my pattern out for 8 bars in a piano... Relative News
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SonicState on 1/10/11
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Ultimate Guitar on 1/12/11
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