Making the FOH engineer’s life easier, Soundcraft and AKG have introduced VM2 (Vistonics Microphone Monitoring). What's that?read more
Read more
Related to "Soundcraft / AKG VM2 (Vistonics Microphone Monitoring) Introduced" :
-
SonicState on 1/20/11
Soundcraft extends digital console range with Si Compact 16 Relative News
-
rekkerd.org on 1/18/11
AKG has introduced the Groove Pack drum mic set, a collection of six microphones for bass, drum and overhead positioning. Relative News
-
AudioFanzine EN on 1/18/11
The Soundcraft Vi1TM is a standalone console package with 32 channels of analogue input to 27 analogue outputs, plus 6 digital inputs, 4 Stereo FX Returns and 6 digital outputs in one chassis. Relative News
-
AudioFanzine EN on 1/19/11
Soundcraft showcased the Soundcraft Si Compact Series at the Winter NAMM show 2011. Relative News
-
Proaudioguide.com on 12/31/10
Wohler Technologies announced that Cablevisión Mexico, the largest cable television provider in Mexico, has chosen a suite of Wohler's advanced HD video monitoring... Relative News
-
Synthopia on 1/7/11
2011 NAMM Show: Blue Microphones has introduced the Yeti Pro, the first USB microphone combining 24 bit/192 kHz recording resolution with analog XLR output. Features: Yeti Pro is designed to provide the highest performance possible in a digital microphone, with recording resolution of 24bit/192kHz, Yeti Pro features an analog-digital converter chip that allows a range of [...] Relative News
-
GearWire on 1/5/11
Shopping for new mic cables?read more Relative News
-
Gear Junkies on 1/20/11
Drawing on the heritage of Soundcraft\'s acclaimed Si Series digital live sound mixers, the Si Compact packs powerful digital mixing facilities along with stunning Lexicon effects into a small footprint console. All this and more without... Relative News
-
GearWire on 1/20/11
At the 2011 NAMM Show, Beyerdynamic launched the DT 1350 professional monitoring headphone featuring Tesla technology.read more Relative News
-
AudioTutsPlus on 12/29/10
// Getting a great snare sound is a crucial aspect of the whole drum recording experience. The snare drives the back beat and is the backbone of the whole drum sound. In order to capture the full sound of the snare drum you must know how to capture and use the snare drum’s most important sound, the snares. If the snare drum didn’t have the snares rattling underneath it would just be a really shallow sounding tom. The best way to capture the snare sound properly is to not use one microphones but two. One on top and one below. Image by Halocyn Why Point a Microphone Under There? Snare drums have a distinct sound. However, most people recognize a snare drum sound from a distance. A microphone pointed directly at one from a few inches away will hear the snare quite differently than the average human being. The combination of the attack on the topside along with the rattles of the snares creates that distinct snare drum whack we’ve all grown to know and love. Therefore,... Relative News